| photographic works |
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| camera based photographs |
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entropy - 2009 >>
This on going series of photographs shot as disjointed triptychs is based on the regeneration of the bush after the disastrous bush fire inferno that devastated the St Andrews Kinglake area of Victoria, Australia - Feb 2009 |
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photo - selene - 2007 >>
Light painting - Luna light photographs - includes gathering falling light |
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Nimbus 2001 >>
an on going series of photographs of angels or the winged human motif |
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Acute 2001 >>
Photographs of buildings on acute architectural sites |
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When
Light Turns to Dust 2003
a series of abstract photographs created from discarded negatives where the silver image has been eroded and replaced with embedded dirt and dust |
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Homage
to Baxter 1994
a project with Lawrence Jones based on the places from the poetry of New Zealand poet James K Baxter |
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Codes
of Survival 1989 -92
Combination Photographs / photograms on the Subantarctic Islands of New Zealand. These works came from an art expedition in 1989 of 11 artists to the Subantarctic Islands of New Zealand Lloyd instigated in 1984. |
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Summer
Solstice works 1988 - 2004 >>
Over a number of years, during the week of the summer solstice, Godman would devote a whole day to following the traverse of the sun across the sky and landscape from dawn to dusk. |
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Adze
to Coda 1993 - 2004
a series of black &white photograms exploring the relationship of tools and the land |
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Last
Rivers Song - Panels 1983 - 84
photo based project exploring critical elements (earth, & water, light & dark) of the Clutha and Kawarau Rivers, before the filling of lake Dunstan at the completion of the hydro dam at Clyde in Central Otago New Zealand. |
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SoundZ 1972 - 2005 >>
photographs of musicians including - Led Zeppelin, Rolling Stones, Black Sabbath to name a few
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From
the Camera Obscura 1993 - 2006 >>
a series investigating large apertures ( vaves windows etc) and the unseen images they project |
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Artist
Portraits 1982 >>
an on going series of images of photographs of creative people |
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Colonization - 1993 >>
an on going series of images that investigates how native flora from the "colonies", like New Zealand has colonized other areas of the earth. |
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| composite photographs |
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entropy - 2009 >>
This on going series is based on the regeneration of the bush after the disastrous bush fire inferno that devastated the St Andrews Kinglake area of Victoria, Australia - Feb 2009 |
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diVISION 1989 - 2007
Photographic works investigating the gestalt of the Camera Frame - what lies within the frame what lies without |
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 (body
symbols ) 1986 -88
Body Symbols is a series of black & white photographs exploring the visual relationship of the human body and the ancient organic elements - earth, air, fire and water |
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Secrets
of the forgotten Tapu 1985 -86
A series of photographic works based on the columnar basalt formations at Blackhead, Dunedin, that are being destroyed by quarrying |
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Last Rivers Song 1983 - 84
large murals - a photo based project exploring critical elements (earth, & water, light & dark) of the Clutha and Kawarau Rivers, before the filling of lake Dunstan at the completion of the hydro dam at Clyde in Central Otago New Zealand. |
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Panoramic photographs 1983 - 2007
panoramic photographs from various projects |
| photograms |
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| alternative process photograms |
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Conversations
with Trees 2007
a series of cyanotype photograms exploring the conversations we need to have with trees |
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LEAF
- light impressions - 2007
Cyanotype prints and charcoal drawings from an artist in residency at L'Arbre de Vie / Chateau de Blacons, France |
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Hermetic
Emulsions - 2004
a series of Van Dyke Brown photograms basd on alchmic symbols an texts |
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Aporian
Emulsions 1996 - 2003
consisted of both Van Dyke Brown and Cyanotype prints, often applied in free form shapes and hung as large installations |
| self - developing photograms |
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@
the Speed of Light 2002
a continuation of experiments with plants, photosynthesis and self developing photograms, it is a progression form an earlier work Disturbance in the Field |
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Disturbance
in the Field 2001
the first self developing photogram work where the shadow of a plant projects onto a sheet of photographic paper and develops over the duration of the exhibition. |
| colour photograms |
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Evidence
from the Religion of Technology 1993 - 94
a series of large colour photogram works - up to 22m long - the work explores toxicity in the environment. |
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| b&w photograms |
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Adze
to Coda 1993 - 2004
a photo-based project on the effects of human intervention - The project includes unique combination landscape photograph & photograms of various tools - from stone tools to computer tools |
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Codes
of Survival 1989 -92
a photo-based on the effects of human intervention in the Subantarctic Islands of New Zealand - The project includes unique combination photograph/photograms, installations, sound-scape composed by Peter Adams, and 42 factionlised short stories based on the history of the islands. |
| alternative
process works |
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Conversations
with Trees 2007
a series of cyanotype photograms exploring the conversations we need to have with trees |
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LEAF
- light impressions - 2007
Cyanotype prints and charcoal drawings from an artist in residency at L'Arbre de Vie / Chateau de Blacons, France |
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Aporian
Emulsions 1996 - 2003
consisted of both Van Dyke Brown and Cyanotype prints, often applied in free form shapes and hung as large installations |
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Hermetic
Emulsions - 2004
a series of Van Dyke Brown photograms based on alchmic symbols and texts from Hermetic Acranum 1623 |
| photomural
works |
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Aporian
Emulsions 1996 - 2003 |
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Last
Rivers Song - Murals 1983 - 84 |
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| Photomontage |
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Land
Forms 1983 (b&w photomontages)
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| mixed media |
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Equivalence 2006
Charcoal
drawings / pigment prints - based on the regeneration of the bush arter the fire at Wilsons Prom |
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Drawing
from Nature 1987 - 2001 |
| photosynthesis |
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expanding dimension - 2010 - digital drawing od a work where over time tillandisa plants expand beyond the dimensions of the original sculpture |
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Planet
II - 2006 - a large steel dish with a map of the earth with Australia in the centre cut into it projects a shadow onto the ground where a similar map is grown into the grass. During the course of a day, the shadow of the first moves across intersecting the other. |
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Source - 2005 - Source consists of a suspended table and chairs with a data projection of the time lapse sequence on the table - the work raises issues of the source of our food, vulnerability and sustainability. Curated by Tony Trembath for ephemeral sculpture in Nilumbik. |
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Timed
Lapse - 2005 - the first interactive work where the audience photograph themselves through plants growing. The work also explores ideas of time and aging. Curated by Dan Talley for the Museum of Contemporary Art, Ga, Atlanta, USA |
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Photosynthesis 1996
involved masking off areas of Bromeliad plants and exposing them for months to sunlight which created bionically imprinted symbols on the living tissue of the leaves |
