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B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

A

aberrations from processing

accurate records

Agfa Copy Jet film
Ag-Plus photographic emulsion
Alternative Processes - definition

Albumen prints

Ambrotype 1851-1890s
Ammonium Bichromate 
Anna Atkins
• Applying the emulsion
Brush Marks 
Even application
Arches - hot pressed paper
Argentotype
Arrowroot size
Arttec Oil sketchpad paper

B

Bichromate  Ammonium - Potassium

• Black & White
Converting colour digital images to Black and white
Inverting the Positve Image in Photoshop to print the negative
Previsualizing a photograph as a Cyanotype
Blue Prints
Brom etching
Bromoil
Brushes

Brush Marks 

Cotton Buds
Feathers
Fine Brushes
Goats Hair
Metal Ferrule brush
Rollers
Storage and cleaningof brushes
Synthetic Sponge

C

Calotype
• Canson Papers

Canson - drawing paper

Canson Montval - paper
Carbon Print
Chemical list
Clich'e verre
Coating the emulsion
Composite Negatives
Contact Printing Frames
containing fine chemical powders
contact printing - Negatives for
Conversion tables
Copy Film Negatives
Cornstarch size
Cotton Buds
Crane's Kid Finish paper
Curve Adjustment step wedge
• Cyanotype
Blue Prints
check list - Materials, facilities and equipment
Coating over the pigment print
Converting colour digital images to Black and white
Cyanotype - Historical Context
Cyanotype over pigment Hybrid Prints
Cyanotype over pigment print
Drying the emulsion
Exposing the print
The exposed print
Ferro prussiate Prints
increasing sensitivity
intensifying the blue - cyan colour
Making the negative
Previsualizing a photograph as a Cyanotype
Printing the pigment print
Processing method
Recipes
Selecting the right image
Tonning Cyanotypes
Working on the pigment print
workshops - cyanotype

D

drinking, eating or smoking near chemicals

Decanting Chemicals

Definition of Alternative process
Dry Collodion Plate

E

eating, drinking, or smoking near chemicals

Edison Screw UV lamps

Electronic scales

eliminating health hazards

Embossing over Pigment
environment (safe working)
Even application of the emulsion
Exposure tests
Exposure tests tonal scale
Exposure tests - Step Wedge
Exposure tests - Van Dyke Brown

F

Fabric support base
Feathers
Ferro prussiate Prints
Film Negs for contact prining
Film - Copy Negatives
Fine Brushes
Fluids Conversion tables
Fluorescent UV tubes

Fume cabinets

G
Gelatin size
Gelatino-Bromide Emulsions
Glucose size
Goats Hair brushes
Grams - Weights - Conversion tables
Gray scale Step wedge - Creating
Gum Bichromate

H

Hahnemuhle Fine At paper

HAHNEMÜHLE 'TIEPOO Paper

Handling and Measuring Chemicals

HEALTH AND SAFETY PROCEDURES
Hybrid Prints
Photobased hybrid prints Previsulizing the final image
Cyanotype over pigment
Van Dyke Brown Over Pigment
Embossing over Pigment
Photogravure over pigment
workshop
I
Imagesetter Negs
Ink jet pigment Negatives
irritation of the eyes, nose, throat and skin
J
K
Kallitype
kitchens
L
Lactate - Manganese Printing
Lana Royal Paper
Lasertrans
Links - relevant sites with information
Liquids Conversion tables
Liquid Light
Ag-Plus photographic emulsion
Liquid light vc
Light sources for the exposure
 
lung & skin burns
M
maintaining accurate records
Manganese Lactate Printing
Measuring Chemicals
mechanical balance style scales
Metal Ferrule brush
Metal Support Base
Millilitres - Liquids Conversion tables
mixing chemicals from base
N
Negatives for contact printing
Converting colour digital images to Black and white
Inverting the Positve Image in Photoshop to print the negative
Previsualizing a photograph as a Cyanotype
Non- environments
O
Ounces - Weights - Conversion tables
Original Film Negs for contact prining
P
Papers

Canson - drawing paper

Canson Montval - paper
Fabriano
Magnani
Paper strength
Paper surface
paper support bases
paper weight
Pictorico
pigment - Cyanotype over pigment print
pets and children - the working environment
Photocopy Negatives
Photograms
Photogravure
pH value of paper
Platinotype
Polaroid
Polaroid Emulsion Lifts
Polaroid SX70
Polaroid Transfer
Previsualizing a photograph as a Cyanotype
Q
R
records - keeping
Rives F paper
Rollers
Rubber gloves
S
Salt Printing
sensitized to the chemicals (human)
scales
Screw fitting UV lamps
Shadowgrams
Sizes for paper
Arrowroot size
Cornstarch size
Gelatin size
Glucose size
Starch size
skin and lung burns
skin ulcers
smoking, drinking or eating near chemicals
soft papers
Starch size
Strathmore watercolor paper - hot pressed
Step wedge - Creating
Storage and cleaningof brushes
Storage of Paper
• Support bases for emulsions
Fabric support base
Metal Support Base
Surface - papers
Sun for Printing
Synthetic Sponge brushes
T
Tintype or Ferrotypes
• Tonning
Tonning Cyanotypes
Tonning Van Dyke Brown
Tonal Step wedge - Creating
U
Ultra Violet Light sources
 
V
• Van Dyke Brown prints
aberrations from processing
Borax Toning bath
Check list - materials equipment etc.
Chemical Reaction
Coating the sensitive emulsion
Development
Drying the emulsion
Drying the print
Exposure
Final Wash
Fixing
Historical context
Large Prints - making
Processing aberrations
Recipe & Process
Toning and after treatments

Thiocyanate Toner

Van Dyke Brown in Painting
Van Dyke Brown emulsion over pigment
 
ventilation
W
Weights - Conversion tables
Wet Collodion
workshops - cyanotype
X
Y

 

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Want to learn more? - do a workshop or one on one with Lloyd Godman