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2009 - |
Su/spend - experimental living plant work based on the principle of super sustainability. Super - sustainable art practice is where the practice and work produces a greater environmental and or organic output than the work consumes. Lloyd is experimenting with living suspended tillandsia sculptures that grow with minimal water in hot and dry climates. The only maintenance required is the trimming the new growth which provides more material from further work. |
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2009 - |
entropy - entropy is a measure of the disorder of a system. This on going series is based on the disastrous bush fire inferno that devastated the St Andrews Kinglake area of Victoria, Australia - Feb 2009 |
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2008 |
Vivid Carbon Obscura: an exhibition for VIVID - the National Photography Festival, held for the first time in Canberra from 11 July to 12 October 2008. VIVID celebrates the vital role of photography in Australian life and history. |
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2008 |
Green Expectations Carbon Obscura - As part of the Sustainability Festival at Kernot Hall, Morwell for the 9th and 10th of May 200, Godman has was commissioned to construct and install a large temporary installation (10.3m long - 4.1m wide and 4.2m high) - a Carbon Obscura - that reflects the GRID concept. |
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2008 |
enLIGHTen - a survey - Curated by Ross Farnell at Burrinja Gallery - includes interactive works, Carbon Obscura, Timed Lapse, , Source, Balance, enlighten, and Equivalence the series. |
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2007 |
Hybridize - A project in progress - This is a very long term project, with unpredictable results - as an extension of the Classification work - the concept is to cross-pollinate some of my Bromeliad collection, germinate and then grow the seed on to maturity over 4 -5 years, observe what eventuates and then name the new hybrids after fossil fuel machines - this also becomes a link to the Plant Room |
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2007 - |
photo - selene - Light painting - Luna light photographs - includes gathering falling light |
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2007 |
LEAF
- light impressions - Cyanotype prints and charcoal drawings from an artist in residency at L'Arbre de Vie / Chateau de Blacons, France |
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2007 |
la Chambre Verte - the Green Room - Projection installation - from an artist in residency at L'Arbre de Vie / Chateau de Blacons, France |
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2007 |
Impressions
de Lumière - from an artist in residency at L'Arbre de Vie / Chateau de Blacons, France - 2007 |
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2007 |
Carbon
obscura an interactive installation in the greenhouse at Montsalvat as part of Structure Space and Place - Installations in Nillumbik |
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2007 |
Conversations
with Trees - a series of cyanotype photograms |
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2006 |
Equivalence - a series of photographs and charcoal drawings based on the 2005 fire at Wilson's Promontory Australia |
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2006 |
Planet
II - a large steel dish with a map of the earth with Australia in the centre cut into it projects a shadow onto the ground where a similar map is grown into the grass. During the course of a day, the shadow of the first moves across intersecting the other. |
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2005 |
Source - Source consists of a suspended table and chairs with a data projection of the time lapse sequence on the table - the work raises issues of the source of our food, vulnerability and sustainability. Curated by Tony Trembath for ephemeral sculpture in Nilumbik. |
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2005 |
Timed
Lapse - the first interactive work where the audience photograph themselves through plants growing. The work also explores ideas of time and aging. Curated by Dan Talley for the Museum of Contemporary Art, Ga, Atlanta, USA |
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2004 |
Hermetic
Emulsions - a series of Van Dyke Brown photograms |
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2003 |
When
Light Turns to Dust - a series of photographs created from discarded negatives where the silver image has been eroded and replaced with embedded dirt and dust |
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2002 |
@
the Speed of Light - a continuation of experiments with plants, photosynthesis and self developing photograms, it is a progression form an earlier work Disturbance in the Field |
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2001 - |
Nimbus - photographs of angels or the winged human motif |
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2001 - |
Acute - Photographs of buildings on acute architectural sites |
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2001 |
sup/PORT - an installation of Tillandsia Plants in Hafslund Upholstery shop window Port Chalmers Dunedin as part of the LOAD project organized by Georgiana Morison that ran along side Vision Art |
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2001 |
Disturbance
in the Field - the first self developing photogram work |
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1999 |
enLIGHTen - an interactive installation with seven infrared activated projectors and suspended Bromeliad plants that throw shadows onto the large (7.5m long x 3.5m high) tissue paper screens. The work is a progression of the LIGHT installation. |
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1999 |
implant - an installation of Bromeliad plants on a mannequin, a woman and a skeleton. The work is a progression of the LIFT installation |
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1999 |
LIFT - an installation of Bromeliad Plants in a Lift. The work is a progression of earlier experiments with plants like Classification |
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1998 |
Light - the first light projection installation with Bromeliad Plants |
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1998 |
Planet - Installation of a large (8mx4m) globe on the floor of 101 Collins St Gallery Annex, Melbourne |
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1998 |
Classification - installation of Tillandsia plants in a museum case |
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1997 |
Plant
Room - Installation of Bromeliads in the Plant Room (boiler house) at the Otago Polytechnic which contains 3 coal burning furnaces for heating the building complex. |
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1996 |
Photosynthesis - involved masking off areas of Bromeliad plants and exposing them for months to sunlight which created bionically imprinted symbols on the living tissue of the leaves |
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1996 - 2003 |
Aporian
Emulsions - consisted of both Van Dyke Brown and Cyanotype prints, often applied in free form shapes and hung as large installations |
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1994 |
Homage to Baxter - a project with Lawrence Jones on the places from poetry of James K Baxter |
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1994 |
Lake
Fill II - performance to mark the filling of hydro lake Dunstan, Clyde, New Zealand |
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1993 -
94 |
Evidence
from the Religion of Technology - a series of large colour photogram works |
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1993 - |
The
Colonization of Flora - an on going series of images that investigates how flora from the "colonies" has colonized other areas of the earth. |
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1993 - |
From
the Camera Obscura - a series investigating large apertures and the unseen images they project |
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1993 |
Lake
Fill I - performance to mark the filling of hydro lake Dunstan, Clyde, New Zealand |
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1993 - 2004 |
Adze
to Coda - a series of black &white photograms exploring the relationship of tools and the land |
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1989 - |
diVISION - Photographic works investigating the Camera Frame - what lies within the frame what lies without |
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Mail Art Projects - from 1989, Lloyd Godman engaged in mail art as a sense of light hearted fun, an escape from the other more intense projects he worked on. |
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1989 -92 |
Codes
of Survival - Combination Photographs / photograms on the Subantarctic Islands of New Zealand. These works came from an art expedition in 1989 of 11 artists to the Subantarctic Islands of New Zealand Lloyd instigated in 1984. |
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1987 - 2001 |
Drawing
from Nature - Drawing from Nature explores representations of nature and culture with the juxtaposition of a pencil & camera |
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1988 - 2005 |
Summer
Solstice works - Over a number of years, during the week of the summer solstice, Godman would devote a whole day to following the traverse of the sun across the sky and landscape from dawn to dusk. |
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1986 -88 |
(body
symbols ) - Body Symbols is a series of black & white photographs exploring the visual relationship of the human body and the ancient organic elements - earth, air, fire and water |
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1985 -86 |
Secrets
of the forgotten Tapu - A series of photographic works based on the columnar basalt formations at Blackhead, Dunedin, that are being destroyed by quarrying |
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1983 - 84 |
Last
Rivers Song - large murals - a photo based project exploring critical elements (earth, & water, light & dark) of the Clutha and Kawarau Rivers, before the filling of lake Dunstan at the completion of the hydro dam at Clyde in Central Otago New Zealand. |
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1983 - 84 |
Last
Rivers Song - Panels- a photo based project exploring critical elements (earth, & water, light & dark) of the Clutha and Kawarau Rivers, before the filling of lake Dunstan at the completion of the hydro dam at Clyde in Central Otago New Zealand. |
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1983 - |
Panoramic photographs - images from a range of projects that use the broken panoramic to express the hyperbole of space |
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1982 - |
Artist
Portraits - an on going series of images of photographs of creative people |
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1983 |
Land
Forms (b&w photomontages) - a series of montaged photographs exploring the bird motif |
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1972 - |
SoundZ - photographs of musicians including - Led Zeppelin, Rolling Stones, Black Sabbath to name a few |
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