Evidence from the Religion of Technology, benchmarks a significant shift in Lloyd Godman's art practice. Here we see a shift from camera, film and black and white photography into a fully committed exploration of the photogram (camera-less photography) and abstract use of vibrant colour. The multiple exposure colour photogram process reproduces mundane objects in an abstract colour that is further disguised by the interwoven layering. These are the objects we once desired, but have since discarded, the photograms are an aesthetic archaeological site.

158 pages - large format landscape (11 x 13 inches 33.02 x 27.94 cm) printed on ProLine Pear (140# Text) paper - Hardcover imagewrap