Sequence viewing > Aesthetics Index - Resource - © Lloyd Godman

Contrast in design

 

Itten directed his students to approach these contrasts from three directions:

they had to - experience them with their senses, objectify them intellectually and realize them synthetically". First they had to get a feeling for each contrast using all their sense without thinking of the contrast as an image, then list various ways of putting the sensation across and finally create an image that communicated this.

We see this method and principle used in many successful images

 

So when we look at contrast - it is easy to approach it on a visual sense - light dark, black white red green, large small, long short smooth textured etc.

but we can also reference other senses - how can we bring these other senses into our images?

• touch - smooth rough etc. In this case we can make a reference to texture through the use of light - the texture of a rough rock can be brought out against a contrasting polished surface

• smell - pleasant foul, etc. In this case we might do this through memory, jasmine flowers next to a rotting corpse of an animal

• taste - sweet sour etc. In this case we might do this through memory, a jar of honey next to a lemon

sound - load soft etc. This is harder to convey, but perhaps an image of someone with earmuffs on at a rock concert creates a contrast

 

There are many references to contrast in this image of mine from the Homage to Baxter series based on the poetry of James K Baxter.

James K Baxter - Poem references

The Boys 1962   CP

Till at the rock bend
their flailing paddles bruise
A black wide looking-glass where Ngaios gaze

And spread their thighs
A hole going down to the world's centre
waiting to swallow the sun, I think I am
the invisible drowned man.


The River 1966   CP

Nothing as broad as
the river can be seen
these days: it was dark brown and deep----

The creek runs to the sea
finding its way without us

 


Letter to Sam Hunt  1968   CP

And hear the dark creek water  flow
from a rock gate we do not know 
Till we ourselves become the beach
and silence is our only speech.

The panoramic format comes from the words - wide looking glass

I played with the sun in the sky but no reflection in the dark water to reference the line - A hole going down to the world's centre waiting to swallow the sun

 

 

 

 

Want to learn more? - do a workshop or one on one with Lloyd Godman