Resonance XIV
This day the fog
was either image-maker or breaker. We had driven out to Taiaroa
Head and the thick bank of fog was threatening to engulf the whole
scene as I raced up the slippery slope damp in morning dew to
the top of the hill. From the road at the bottom I had seen the
great clumps of lichen-encrusted rocks strewn across the tops
and knew that while this would provide a focus in the foreground
it would also offer a higher aerial view of the harbour. The fog
drew through the neck and over the hills just enough to show in
the photographs. From the left is the Peninsula down to Dunedin
and Port Chalmers, across the harbour to the tidal flats and sand
spits of Aramoana. The black lines of the various jetties and
rock groynes strike across the water. In the foreground of the
third photograph the road can be seen and below this is the gun
pit and on the far right is Taiaroa Head.
Map of Brighton indicating where the image Resonance XV was taken from
enlarge map |
James K Baxter - Poem
references
At
Aramoana 1966 CP 336
Boulders interrupt
the long
Jetty from whose black asphalt
tongue the godwits fly...
where the sighing
combs of water
talk under broken jetties, and the long
where the serpent
current flows
out of the harbour gates, long-
flowing, strongly tugging at
the roots of the world.
The
Kraken 1966 CP 335
Green flats of weed
that Heaphy painted
Wait for the withheld kiss of the tide...
You who stroll on
cliff-top boulders and
The abandoned gun-pit....
and watch how the
kraken's wide
Blinding tendrils
move like smoke over the neck. |