...the largest photosensitive emulsion we know of is the planet earth. As vegetation grows, dies back, changes colour with the seasons, the "photographic image" that is our planet alters. Increasingly human intervention plays a larger role in transforming the image of the globe we inhabit.

Lloyd Godman ecological artist - 2006

 

Working with chemical based photographic processes from the early 1970s to 2005, I became acutely aware of the importance in exposing the material for the correct amount of light.  Too much light and the print was over exposed and too dark – too little and the print was underexposed and  too light. Chemical composition also played a part -  exhausted or contaminated chemicals and the development of the negative or print in the tray was ruined. Making a fine art photographic print was an art and skill that demanded a series of precise conditions. There was an unseverable connection between cause and effect.

Lloyd Godman ecological artist - 2009

 

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"Lloyd Godman's twin careers of serious and successful organic gardener and practicing artist of great creative energy converge in new and constantly surprising ways to make art about the ecological concerns that underly his gardening. Over almost three decades his art has widened out from relatively traditional landscape photography to include elements of performance, audience participation art and multimedia installation to explore the tensions between electronic consumer society and the ecosystem."

Artlink magazine - Ecology: Everyone's Business - Vol 25 no 4 - Dec - Jan 2006