Developers:
In
terms of developers and the way they are used, there is a range of
factors that affect the final out come of the image tones.
Selection:
The developer used is one factor and Manufacturers make a range.
Agfa for instance produces:
- Neutol
BA which is a Blue/black toned developer
- Neutol
NE which is a neutral toned developer
-
Neutol WA which is a warm toned developer
Developer
Temperature:
Like any photographic process, developers at higher temperatures
tend to work more quickly and have a tendency to produce more
contrast in the image, while developers at a lower temperature
have the reverse affect. |
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Developer
Dilution:
The dilution the developer is used at also has an influence.
Lower dilutions like 1-3, produce stronger developers that
tend to work more quickly and have a tendency to produce more
contrast in the image, while higher dilutions like 1-10 take
much longer to work, but produce much softer working developers
that lower the contrast. |
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Developer
Condition:
Fresh newly mixed developers also produce more contrast in the image,
but in some circumstances, developers that have been worked for sometime
produce prints that tone better. Keeping tonal consistency between
prints particularly those to be toned means keeping the chemicals
at a similar state. Exhausted and oxidized developers tend to work
poorly and should discarded.
Developing
Time:
The length of time the print is in the developer also affects
the print. Generally the manufactures guidelines are adequate
but some photographers might prefer to leave a certain print
in longer than recommended. The first areas of a print to
develop are the darker areas or those that had the most exposure.
In some prints, the highlight areas take a long time to develop
up and extending the print development time can bring out
some fine tones that would other wise be lost. |
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Two
Bath Developers: Some photographers even use two bath developers.
For instance, as the darker areas develop first they might use a more
concentrated warm developer for the first part of the development
time, then place the print in a wash, and then into a cool toned soft
working developer to bring up the last areas of the high lights. This
process will also become more enhance by the affects of Toning.